PO-35 speak

Its main feature is the voice. Any sound you record through the built-in microphone immediately becomes part of your track. Say a word, make a sound, even just make a strange noise — and in a second you can play it as a melody or weave it into a rhythm.

And the coolest thing is that the PO-35 doesn’t leave this sound “as is”. It transforms it. It adds character, digital texture, a bit of madness. Your voice can sound like a robot, like an old vocoder, or like something completely extraterrestrial. And that’s exactly what makes it great — you never know what you’re going to get, but it almost always sounds interesting.

The sound here is very lively and experimental. There’s a feeling that you’re not just programming, but playing with sound, like with a designer. And this ease is addictive — you start with one sample, and after 10 minutes you’re already assembling a full-fledged loop with your own “vocals”.

The sequencer is familiar and convenient: everything is fast, intuitive, without unnecessary things. You don’t waste time on analysis — you are immediately in the process. And the effects add movement: a little glitch, a little rhythmic repetitions — and the sound begins to live.

And another nice bonus — there is already a drum section inside, so you are not limited only by voice. You can immediately collect rhythm, melody, and vocals — in one small device.

Teenage Engineering PO-35 Speak is as much about freedom and fun as possible. An ideal option for those who want to experiment, improvise and create music literally from nothing. Here the main instrument is you. And that is why it is so exciting.